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Chanel will not appeal fine in copy case

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French fashion giant Chanel said Wednesday it was not appealing a 200,000-euro fine slapped by a court for stealing a design from a knitwear supplier, bringing to an end a David versus Goliath case.
 
"The house of Chanel has taken a decision not to lodge an appeal. It is of the view that this ...very complex and specific case must end," a terse statement said.
 
A Paris court in September overturned a 2009 ruling clearing Chanel and slapped the fine, saying the house had designed a vest that was a "slavish copy" of a crochet design by the local knitwear company.
 
The case pitted World Tricot, a now-bankrupt small firm that manufactured high-end knits, against Chanel and was seen as a test of the rights enjoyed by skilled artisans toiling in a luxury industry dominated by the big players.
 
World Tricot founder Carmel Colle was seeking 2.5 million euros (3.7 million dollars) from Chanel for alleged counterfeit after she spotted in a shop window a Chanel vest with a crochet design that she claimed was hers.
 
The simple cable design with black edging had been previously submitted to Chanel's studio and rejected, Colle claims.
 
In 2009, the Paris commercial tribunal ruled that Chanel had not stolen the design although it did order it to pay 400,000 euros in damages to World Tricot for breaking the contract.
 

In Pictures: Victoria's Secret Fashion Show

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 Justin Bieber proved his status as a teenage heartthrob is well deserved at the Victoria's Secret Fashion Show last night.

The 18-year-old sent the hearts of "Beliebers" racing as he worked the stage at the Lexington Avenue Armory in New York City.

For his appearance on the glamorous pink carpet, Justin went edgy in an all-leather ensemble.

The singer posed for the cameras in a blue-black jacket, teamed with baggy leather pants.

With his hair styled in a cute quiff, Justin looked every inch the perfect pop star.

Later he opted for all-white to perform a couple of his hits for the crowd.

The singer wore a texture waistcoat, teamed with baggy white trousers and a shiny top as he belted out As Long As You Love Me and latest single Beauty and a Beat.

The singer was joined on stage by gorgeous models dressed in an array of cute outfits, including an Alice in Wonderland-inspired dress.

Backstage the star got more attention from the Victoria's Secret models, as he posed with the likes of Candice Swanepoel and Lindsay Ellingson.

Also performing at the show was Rihanna, who rocked the crowd with her sexy signature style.

The singer stunned in a cropped top, teamed with an on-trend midi-length skirt.

Also joining the party was Bruno Mars, who performed his hits Locked Out Of Heaven and Lost during the fashion show.

The EU's threatening to ban one of Chanel No 5's key ingredients

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Famously, it was the only thing Marilyn Monroe wore in bed, and it has been synonymous with style and sophistication for more than nine decades. But now, for the first time in its 91-year history, Chanel No 5 perfume is under threat. 
 
The reason? One of its key ingredients — a naturally occurring type of tree moss — has come under the microscope of a team of EU scientists who believe it may cause allergies.
 
It may seem bizarre that the top-selling perfume in the world — a bottle is sold every 30 seconds — could potentially be so damaging when tens of thousands of women across the globe wear it every day. 
 
But it’s just the latest in a long line of restrictions imposed on the scent industry in the past few years. 
 
Under rules implemented by the European Commission in 2006, 26 common ingredients including the now-infamous tree moss and eugenol (found in rose oil), must be declared on the packaging of perfume because they are potentially allergenic. 
 
Now it has emerged that the Commission’s Scientific Committee of Consumer Safety, charged with protecting citizens from harmful substances, has extended the list to cover 100 ‘unsafe’ materials. 
 
While they recommend that some must be declared on packaging or the amount used in a perfume be restricted, they want some — including the tree moss used in Chanel No 5 to help give it its distinctive smell — banned entirely. 
 
And while these are only guidelines and not law, it is likely that perfume manufacturers will feel pressure to comply. The industry watchdog, the International Fragrance Association, is taking it so seriously it has decided to conduct further research into the potential skin allergens on the back of the recommendations.
 
This doesn’t affect only Chanel; a host of other well-loved perfumes — from Miss Dior to Guerlain’s Shalimar and Angel by Thierry Mugler — could be caught up, too. 
 
For the new list calls for restrictions of many commonly used ingredients such as citral, found in lemon and tangerine oils, and coumarine, which comes from the spicy South American tonka bean — all naturally sourced ingredients, it should be pointed out, which have been used for decades in perfume-making without causing serious harm.
 
It is even feared that jasmine and rose — some of the most common ingredients in the world’s favourite scents — could be put on future lists. 
 
But back to Chanel. What is this innocuous-sounding tree moss, and how important is it to Chanel No 5? According to Francis Pickthall, director of UK-based international fragrance house CPL
Aromas, tree moss has always been an important ingredient in high-end fragrances thanks to its distinctive earthy, woody scent, which No 5 fans would immediately recognise.
 
‘It’s created by scraping moss from the bark of Northern hemisphere trees, often in former Yugoslavian countries, which is then steam-distilled,’ he says. ‘But it has already started to be phased out of many perfumes and replaced with similar-scented synthetic mosses or oak moss, though only if it is low in atranol, the component of moss which is a known skin-sensitiser’.
 
Oak moss, it must be mentioned, is also in Chanel No 5, and also on the future ‘forbidden’ list. But Mr Pickthall argues that ingredients being banned or restricted is nothing new to the industry, and that perfumers are expert at phasing out problem materials while finding alternatives.
 
That is clearly not how everyone feels, though. Chanel spokeswoman Francoise Montenay declared: ‘It would be the end of beautiful perfumes if we could not use these ingredients’; while the French Perfumer’s Society said it would lead to ‘the death of perfume if this continues’.
 
One wonders what Coco Chanel herself would have thought of being told by EU scientists that her beloved fragrance had to be updated before it had even reached its 100th birthday. Because the story leading to its creation is just as captivating as the scent itself.
 
Until Chanel No 5 emerged in 1921, perfumes had tended to be thick and rich with animal musk. Having already taken the Parisian fashion scene by storm, Gabrielle ‘Coco’ Chanel decided to turn her hand to a beauty product that had so far eluded her, a fragrance that was light, fresh and reflected the liberated spirit of the new decade. 
 
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Her mother had been a laundry woman in rural France, so she loved the smell of soap, but for years she was unable to find a perfumer who was up to the task, because citrus fragrances such as lemon, bergamot and orange just didn’t last on the skin.
 
Then, in 1920, she heard about a daring perfumer Ernest Beaux, who had worked for the Russian Royal family and lived in the capital of perfume, Grasse. He took up her challenge, spending months creating ten samples for her to try. They were numbered one to five and 20 to 24. And, you guessed it, she picked number five.
 
She is said to have told Beaux: ‘I present my dress collections on the fifth of May, the fifth month of the year, and so we will let this sample number five keep the name it has already — it will bring good luck.’
 
And it did. The scent combined jasmine, rose, sandalwood and vanilla with other background notes, and it is said that when Chanel sprayed the perfume around her table in an upmarket Paris restaurant, women passing by literally stopped in their tracks to ask her what the fragrance was and where it came from.
 
She declared later: ‘It was what I was waiting for. A perfume like nothing else. A woman’s perfume, with the scent of a woman.’
 
Time would show that millions of women from all walks of life agreed with her, from the American war-time wives who had it brought back from Europe by their GI sweethearts, to the one-in-ten modern women who were wearing Chanel No 5 when they met ‘the One’, according to a study in 2009.
 
So will all these women really fail to notice if the formula is changed? Perfumer Roja Dove is not so sure. 
 
While he admits that it has been necessary to remove certain common components of fragrances over the last century — both for health reasons, such as when benzene was phased out when it was discovered to be a potential carcinogen, and ethical ones, like the disappearance of musks taken from slaughtered animals — he says it is never easy to recreate a well-known scent with different raw materials.
 
‘It’s impossible to reformulate without making a product smell different — that is why the original ingredients were used in the first place,’ he says. 
 
Dove, as a leading figure within the British perfume industry, is more than a little troubled by the ‘Big Brother’ restrictions that are gradually taking hold. 
 
‘While I do think the consumer’s health and wellbeing should always be our first priority, imagine if Brussels authorised for all nut products to be banned or restricted because a few people are allergic,’ he says. 
‘There’s huge inconsistency. Just look at basil. I have to list it on the back of packaging if I use more than a certain percentage because it’s one of the original list of 26 the European Commission decided must be declared. 
 
‘But a chef can take a huge bunch of basil, chop it up and sprinkle it over food, and their hands will be covered with basil oil. There are no guidelines there.’
 
He does make a valid point. Many of the ingredients that are now being considered dangerous are even edible.
 
So what does Roja Dove suggest for the future?
 
‘As an industry, we are very responsible. We would never want to use ingredients that were scientifically proven to be a major problem, but I do believe consumers should have freedom of choice. 
 
‘There are scents around that people have loved for centuries, so is it right to do away with them entirely? I’ll leave you to draw your own conclusions.’
 

Victoria's Secret removes 'geisha' line following racism accusations

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Victoria’s Secret has removed a newly launched lingerie collection titled Go East from its website, after one particular outfit called Sexy Little Geisha was labelled racist by offended critics.
 
The 'Eastern-inspired' cut-out sheer mesh teddy, which comes with a matching removable obi belt, fan and chopsticks, was described as 'your ticket to an exotic adventure,' by the lingerie giant.
 
Victoria's Secret, who are yet to release a statement, have tacitly responded to the backlash by redirecting users looking for the product's page, along with the rest of the Go East collection, to the site's main homepage.
 
After Racialicious, a website that dissects the intersection of race and popular culture, accused Victoria's Secret of reducing Eastern culture to a stereotype of exotic sexuality, other critics quickly followed suit.
 
Racialicious called the outfit, modelled by Swedish born model Candice Swanepoel, 'A troubling attempt to sidestep authentic representation of a culture and opt instead for racialized fetishizing against Asian women.
 
'There’s a long-standing trend to represent Asian women as hypersexualized objects of fantasy, so it’s telling that none of the models wearing the Go East collection appear to be Asian.'
It continued: 'Sex and sexuality don’t live in a bubble. They intersect with our historical and cultural contexts.
 
'Donning a "sexy Geisha" outfit to get the ball rolling in the bedroom remains offensive because it confirms a paradigm in which Asian people and their culture can be modified and sexualized and appropriated for the benefit of the West.'
 
The Frisky, a popular culture website aimed at women, agreed with the issue Racialicious took to Victoria's Secret's cultural appropriation.
 
The website wrote: 'Considering the complicated history of geishas, repurposing the [geisha] 'look' for a major corporation to sell as role-playing lingerie seems a bit tasteless.'
 
Another blogger, on a site called Angry Asian Man, posted a photo of the Sexy Little Geisha and commented: 'Hooray for exotic orientalist bulls**t.'
 

Bangladesh asked to raise its $36-a-month minimum wage by clothes retail giant H&M

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Popular highstreet clothing chain H&M has urged the Bangladeshi government to increase the minimum wage for garment factory workers.
 
Bangladeshi factories, where some wages are as low as $37 a month (around £23), make clothes for H&M and other major companies such as Tesco, Wal-Mart, JC Penney, Marks & Spencer, Kohl's and Carrefour. 
 
But Swedish fashion group H&M has called for a change in the treatment of countries factory workers - urging for a higher minimum wage and annual pay reviews.
 
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Chief executive Karl-Johan Persson said: 'We want to see a stable market in which people are treated with respect, and where the workers are properly compensated by their employers.'
 
Persson told a news conference he had met Bangladesh Prime Minister Sheikh Hasina and urged the government to lift the minimum wage and introduce annual wage reviews.
 
Persson, who said H&M intended to grow its business in Bangladesh by 10-15 per cent annually, said it was in the country's interests to develop an advanced and mature textile industry.
 
He added: 'If a proper review system is created and enforced, these revisions will help address the basic needs of the workers and bring greater stability to the market.'
 
The move comes as tensions continue to rise in the country with factory workers striking over poor pay and working condition in the country's 4,500 garment factories.
 
Earlier this year, a panel of judges in Cambodia, where H&M also sources garments, urged clothes factory owners to pay more and called on international fashion brands to do more to improve working conditions. 
 
Analysts also believe that labour unrest and delayed shipping schedules may erode the advantage to retailers of low prices.
 
The Swedish store's Spanish rival Inditex has outperformed H&M in recent quarters, helped by its broader range of brands and by the fact it sources a smaller proportion of goods from Asia.
 
H&M is the largest single buyer of Bangladeshi garments and imports about $1.5 billion (around £9.4million) of readymade clothes from the country, trade officials said.
 
Garments made up $19 billion (around £11.9billion) of Bangladesh's total exports of $24 billion (around £15billion) in the year ended in June, 2012, according to government data. 
 
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Photo: Garment workers striking over pay throw pieces of bricks during clashes with police in Kanchpur, Dhaka, in June
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